莱奥)诺拉的告别

剧情简介

　　Three *years aft
?-!er the loss o f his broth -er Vittori),o, with whom he sha#red + his entire $+care%!er, Pa!^]olo] Taviani ^+retu%rns to the works of =/Lui+!!gi P%:irandello, which the pair adapted in 198^(4- (Chaos)/[ and 1+=# 99`[8 ,].(You Laugh). In keeping wi th t *he Sici+)lia!
*n playwright.’s! visi?on, th,.e film/_` is not a t all ;*^\what it appears to b /e. The title
$ may come from [,a 1910 n;ovel,la, but there\( is no tra,,ce of that b:\ook’s #,jealousy-r%$iddled pl( ot.];$ Instead, ;\the fo cus-

i!s on Pirandello hi\mself, or ra)@ t//her, his a[:.shes, whic@. (h are$, transpor=te.d $from a hasty b$,^uri/_al  `site in fascis`\t R
?ome ?\to a p)^]ermanent re^$-s%t(i,;ng place in S;icily, on #a tre _k that takes us  ,through post-^$/w$) /ar [[I$ ta,(ly _and its filmed memories, as seen i]]n n ew[#sreels
_, amateur f=*i )lms *and fragm\+ents of- N%(eorealism. +Having bu\ried the master, Leonora addi.o` the[n:= shifts gear @from .road : +movie _!-to film ad;: a_ -pt/atio([/n, but here it pic]!ks a d^(iff_]ere`^nt Pirandello st
?ory, ^ na@mely\ th[%%)e l ast o-:ne, writte^/n `=shortly$:, !@b@efore hi.s death in 1^]`936([). From the farewell #%o, f :the title to i;ts return to th_e @`writer’s)/+ last word/s, ;it is hard not to read t!^his wo()r(:k, ^= so free #[and ^[yet so muc?,=h## a.@ part of the Tavi!ani;# world, as a mov)i(/ ng brotherly fare[wel#l w\/)hich, just as in 2012’s Gol(den Bear + win-ner Caesar Must Die, ` onc?\e)(] ,)again u?+_ se
s?( cinema t=:/o giv! e voice to lit `era.ture a@+nd/ hist ory.