造物!:的奇迹

剧情简介

　　.@.Wunde=-,]r der Schöp?fung is an extra#_#ordi ]nary.`], fasci
nating Kulturfilm trying to explain the whole h%@uman kn*owledge of the/ 1=
920s abo^ut the wo/rld and the unive.!rse. % 15 specia*l eff`?ects expe:r*(t@_+s%`; and 9 /cam`=eramen were[ -]inv:(ol[^ved in the p_roduction of ]%!this fil)!^m [whic][h/ combin*]e@( s do=cu / mentary scene;s, historica[l documen=ts, fiction elements, an]?#imation scenes and%; ed ucational impact. It its be ?au#.?tifully colore=-+d, usi:^n% g tinti[]]ng`.# and toning i^n a ver@y .@elabo@-+=ra=ted way. Some visua!/`l idea# ^s[  i/n the -sequence
s with a space shuttle$$$ visiting d;i fferent planets in the univer;se seem [+#to have(` ,[to@@
be the inspiration for Stanl.?ey K+ubrick'=[(s 2001: A_)@ Space* O
dyssey.　　In the context of  Ger*many`'s Kulturfi?lm phenomen \.on,- Wund[=er der Schöpf` (ung =?was am%)on%\/g the gr$;/e*-ate`
st ach,\iev*`ements o[ f th:e %[@;1920s. The prod)-uction wa
!$s constru#cte,,d, rehearsed,; and shot over a period of); two a@^nd a ] h]_alf years, un\ *d,e r 
the. supervision of=# Hanns Wal,$te==,$r .#`K^o rnblum. The idea to desc)/-r(ibe the uni/verse a- % nd /man's pl\:ac@#e in it\%$ @well s:#]uit%%ed UF A&.,=#3 9$/s Gross film mentali*`ty, :_one year befo;;re the Metr!$opolis c(+\at;a!]stroph;`e]%. Hundreds- of?% skilled craft*(.sme?_n par[ ticipated( in th(:e pr$oject,][/ building pr^/o$$ps@! an*-d constructi)ng scale m*/odels drawn by,
15=@_ special@!+  ]effects draug: h#.=t,![s,me]`-n, whil
 e +\9 came?@r\:amen in sep+,=arate units worked $*on the%_[[ histo/$rical, documentar#y, fiction, animation, and science#%(. -fiction s` =equences. Without star rol$%es ,].or eve:#?n protagoni%%)st?`/s, the f!ilm's plot=% is c;rowd,^ed wi+?+t[+h _=metic.ulously struct+ured and skil[`lfully a=ct?!ed((] =/,si= ngle scene?` s +(a_.n =? artful mosaic ` of small vi/gne
ttes.)% %$No less than four cre`_d $ited un@`i?, versity prof@#essors en/$%sured_ the factual back^ground %!#b ^ehind th*[e !sc$ ientific a^nd) his( tor/i_$cal events por trayed.　　The fi?lm's s;=ymbol of progress and t]he\ ^ --n.`ew scient@ific era is a spacecraft(), tr?avelling through th?.#e Milk^;y Way, making@#)` all th=e planets and!?# their insp^ir(+.i,ng w%or ld
\s= familiar to .us,] with the e%x#travaga_;
nza .of the%!)ir distincti/ve?%?( features. The film's educationa)#\=l  inten$tions, howe ver, bec!ome steadily more obscure), humor:+ous, or ev^en camp!y as@# this *-pop#ularizat#/ion p;roje-:ct p`roceeds. With the e;xcuse of pr?!_esenti#^]ng the end +of the _@world a n/ot-so_)-new con/(cept!@ -as!  a+ n.#!$ ew,# = [*un@^deni\ably scient)ific truth, the f-,+ ilm veers ha`p
pil *y alo ?n[:.g a new )path ?., displa]ying: d]-et_ailed a poca%--lyptic$. scenes o-]%f the e],]nd _(,of manki` n@]d. For to.^day+=_&!%#39s audiences, this a@+=^ma]]zing film demonstra?[tes h_?ow the _un#:iv,:erse was. comprehe-
@nded in the 1920s, and how that view,_ wa s sol\*d to contempor #_ar
^+\y audienc=,[es.