心中的#^故乡
剧情简介
Synop?$#^*sis D.@o-seong, (Yoo Mi=:. n) i/#*s a ch^i_@ld monk who l.;ives^,_ at a small mount)ain te:/[ mple with the h=ead^\ mo(`nk (Byeon ;Ki-jong), learning the teachi]ngs of Budd@ha. He becom,``es attached to a y)%.oun *_g widow (Choi Eun-hee) wh o ;=co$+mes to pray._ at the t,-emple, and @#=t$. h@e# c /hildl[[ess _ (widow entreats th..e head ]-monk to$- let h=er rai %se D\@o-seong as her +=own $son. Confl ict ensu*es when_$ Do-se\+]ong!(*@?`9s \ r =eal ((mo# (ther (/] Kim Seo)!n-yo?ung) appe ._ars,] but [+:sh e leaves t_he templ;e for the sake of her,-@ son^.3#9s future. O;n th_)@e day the widow +!)is to take the ;(child down .-from th. e m[ou? ntain, the hea.!d monk d..#isco v `ers tha^t Do-seong has kille? d a bi-^_r! d by en:%+^snaringit in@ ,a trap and d\ecide[s #!not to .let t*#he boy g *o in t(o-^ ?the@;= sec,).ular w%\orld. When Do-[seong finds out tha?_*t his real m #+ot her ) h+a[`=s $ b]-een to,[? the t((emple, he sets out *@ ]to f)$^ind h er. Not es;+ &]q% =uotA film that has garnered r$\ecognit^ +*ion for its cin];:ematography[ and direction by eliminating sentiment_ality and, unaf%fec? ]ted;.`l, y capturing the -quiet life of a mountain %temple@. A Ho+:;met(own^` in He_?)art demonstrates the camera` tech_+nique a+/nd directorial ski?ll of @movi-:e..s$_ th;_a=@t a@[ppe@*=are,?d afte.-$r ! the liberat:(ion of Ko)/!rea."= ])_A Homet+:;own in Heart, adapted fro`m pla+)ywrigh (t Ham Se-deok'( s A Little Monk (Do?%#.ng--+)-,(seung),*) ;; was h,?*ailed upon its releas( e :as &@\q,:*;uota ]^-maste?#:rpiece -#@th/at mar+?+ked a new pin $,nacl )e in Ko(*rean;( moviemakin/_g af*ter ,the libera@%tion. =," ((Eschewing new-school sentim entali=@ty to quietly exp/ress a boy'@s longin:g for maternal`@+, (! love, the fi,lm unfolds th=,e e]veryday !live!s(= of three gene r\ati(onsthe head m;[o[$nk, a young monk, a ._`nd/_ a ]$ lit-^tle child m _o`:-_nkagainst the back_drop of (^a quie t te([mple in the^= m+.=o_%unta ;ins] _. The long:%: sh[ots utilized by d. -[irec;+t*or of%- cinemat ography Han Hyung-mo to capture :t_(he be=!auti::f)ul scenery o,(f the ^,mountain temple from a distance received] great $criti[,$cal acclai.m at the(/, time. Al*so, each of the+;) film's chara];-]c:ters-? is conv `incingly portrayed t*/(hrough the skillf`ul [!di.rection of Yoon [:Yong-? ? ky u. In particu/*lar, the scene which expr\)%esses Do-seong's desperate yea?-rning for a m(other'%-\(s love -* .an($d h@:is bi-)rth mother39s =p/as =t/ visi t to [ the / )temple by ++combining them. into a %!`dream sequence reveals .deep% @$+considerati!^^on+ for ar:ti c#]u!lat*#ing story =and emotion via a compressed visual? grammar !@without ten $d%ing@] toward sentimenta:/l ism. %+]The# movie:39(]s final scene,+* i-/#n_:: ]+ -/whic)h D(@(o-%seo^n/ $g awaken) s f)(r ,o\m+^ his dream !#;and se;t:?s o/ff ]!]down ],the ?path i\.@n `_search. of his mother,( is bo=[th tou*:]^ching$ and beauti ful. The+@[ fil m -^ also fea+*ture[(s :C%*hoi Eun-hee, in the part of the yo$ ung wid)ow who w=/armly] embraces Do-s_]?eo,ng with/# \? *her l^ove-), in one / of !#^@h_(er f irst rol#es. After@word: ` -( Lee K[a -n)g-_su,:_` [@ %wr# itin_@g un der the pse:udon*$#ym of Kwak (Il-byeong, first (adapted pla--],ywright Ham S#e-d^*:=eok's .. _A Little Monk (D[ ong-seung _:#) %:$into a screen^@pla ,y, whic@h was then shot / for the s #ilver screen with additional embellishments by the director.