千阳

剧情简介

　　The film accompanies Magaye N+iyang, a?[$ (/sta-*,r of@( Touki- !^Bouki, a:/: 19;\72 cl#^%as*sic d ,i_re,ct\ed by her  =own uncle Dji [bri)l Diop. Following this pat
$h, we are witne;ss of Niyang travel to/%
. a special s\,creen@ -i?(ng of the f+ilm, whi=ch ha=#s a public release* in hi%s old to^wn. Niyan[:g se)=!ems de% ?ta^ c)](=hed and with a he`avy longing from t+]_he pas(t, and ^the !refor!
=:e, th ?e @film deb  ris permeates e^*verythin\[g with unesc.ap($_a ble sorrow; a@;nd fasc%++inat$io `n..+;　　Diop^-^ -film is-+=
,  first and for##emost,  `a nostalg=+\ic tr+= $avel through mem 
or^y, time[,( and +@recreation. It is also_ a watermark=+* in contem:porary exp`?eri!$+%mental docu__ment% ary, a very in) timate port=rait of a l))ost long journey thro ug[h the pa)^st that isn’t returnin.g an [ymor! e, %;:\a detachment of= \rejected#*
fame,,@=;: recog)`;n=]ition :]and c!o-(n]ne`?!ct%. ion w?/h=(ich is hea,(vily g/rounded on a legacy that belon: gs to $\the past, and that ?%connects direct l!y to a coun#,try (Sene ,$#gal) and its heritag,@]e, whic[h is/- som(
et.imes f@ee#/]l e%(
x ?cruciat),*ing for the +old ones (:)a

/(testimony su#%ch  as t*[`?he taxi scene in the film,
)where the cab #
=drive;r .,lon
g) s for ch :(a]n?
:ges

, and c]\laim
s(. that the o``(ld generat ^ion had done no#]th-\)ing for that).　　Mi/l^ le So]\leils (A] Tho?_usand Suns)  ,and, in itself, Mati Diop’s$^ crucial talent, should be $a=
. point of_[ r^$eferenc.(!e.
(: into what #((!could easily be o.!n[e !^of the most: inter[*es]ting$ proposals of hybrid docume[ n
;t^=ary? cinema?@ w h:]ich has com$ e fro:[+.m France, a)-]nd which deals [\with a
) strong African he#r%itage. Sin ce 35 Rhums, w=her$)e she pr
?oved her act$?.ress talent#, Diop seems like a(; true [ pro;[ mis^e for the- follow.in*g years
 :/of cine`:m)
a.