胆包^.:? 天
剧情简介
U;^@m( .berto ,@Len ?zi is undoubtedly the king o+f I-talian crime ^movi+=%es, _but unfort%]unate`\ly Syn :dicate Sa[d`_@is*`ts is% not the b;\[est examples o**f his work i`n this genre. Lenzi's crime fl@+icks $$(tend to b!!-e a\ *^-cu,_t above th#\e rest!#% because he _makes:/ ?+fi./(lms based on s$/^tories* wit,/#h a p;)oint, and t.%hey do-(n-_3.@]9t lac k directi.on but this film feel*[ s a bit,] too ?:*w(($ ay*!!ward to] .^fully fit wit/+h# #th\e [email protected]t (*o++f his :)stuff*;.])+_ The film takes ob($vious$? ] in\ +fluence _=@;fro[m Ser^ %gi] o L, eone;,;@39s landmark w;este@#%r$.^n 'A Fis@\t:ful of D_ollars' (whic%h in turn, t=%[ook influenc:e from .=:Akira Kurosawa= %'s ?lan?dmark s,\amurai -flick Yojimbo), in [_that it fe atures two warri#`!@ng *families and* a strong cha_ract#er a:* t th^e centre. The crime that Lenzi focu/\ses $ on is kidna[pp] ing;!, and $we cen_tre on a(# charac:ter called 'Rambo', .= ; Rambo is! dragge: d into the war b_)etween the two - fam^ilies a@fter his brother i+)s killed bec$ause of /it. =,\Ram-;`bo use\*s his br ^?ains a(-n-*d- brawn to pit ;t h)`(e two families;% against ;\$o_ne another, in the hope of gaini[`n g r!evenge for /.his br%; other's $?death, r+es:: )cui= ng a young :[ !boy )that ^they_\&`=,]#39ve kidnappe[-:d , and ul-ti`mately#??_ l[$etting the two;` sides de#; stroy(?/ one ;another. The film's biggest, ;] ;$-asset is u`ndoub`.;tedly\/ Tom]+as Milian. Milian was $ (pu` ;t to #?/\ g;:reat( use :by Lenzi in almost all of his[* ( -cri!:me t%?h=rillers. The !rang:e of: !c]haract ers h$\e has played for Lenzi\ is immen:)*se,[/$ an,\d this one is.[ e:%^as/%ily= one of the c ^^oole?,st. The characte^.r is c alled Rambo, which i)mmediatel* -y sprang (]to m$!in/]#d($ _the popular Sylves@ter S@;:$t(allone character?) - but for /^once, the Ita@lians actually h-=av en!39t ^ st()olen this name as S])yndicat] e Sadi#? `sts was/ re_lea] sed f.#irst! As usu #al, t^@he film`_\ is wic_kedly entertaining, as$ we get to watch(@ Milian get himse!,+lf / involv.\ed=/^, in the usual array o@. ]f^`( car chases, shootouts and br\%a%wls. *\Lenzi has got him riding a mo torb$ %ik;e this #!\time round, and eve\ry scene featuri,\ng it and Mili an is `a @real sta\ndout@! However, the fi$_.lm o ft en)] feels like i.t :.doe$sn't really] have anywhere- to g-o, and )]this means that t !he runn/\ing time ?;is st[?retched ou[t m+(ore than )/it sh @ould +[?b e. Compa red t$o the crim!e films of o\t@=#h#]er I;?t\;alian direc, tors, Syndi-(c`ate Sadists %_;i_\s more tha..n above. ave-#rage?. but in: ;/relation to Lenzi crime ^@flicks) _ such- a;\\s A\@^lmost Human and=,( [The Cynic, [The Rat and The Fist \- /_`it doesn't stand $)tall as one of Lenzi's best./+ Still, + if you're l)ooking fo (r /[[;n^ inety minutes =.of te(stos%terone fuelled mayh\e[\m - Syndi.;cate Sadis/`*`ts will su *ffi __ce!