微望

剧情简介

More than
o
n]ce, .t+he*$ protagonists in Mimang^ _-.-wo(@n#d**= +er;* where they are %an[,d where@= t%?he=:=y’re going]—it

is a concre-,te, %geogr  aphical qu$*es $*t\ion born from wa lk%ing around the stree#$)t?^s o;f S eoul, bu-?$=t as th^;e film \\pr-/ogr=*esses, that u #-r^ban- jo/u ?rney also proves to be an existential one. W?e acco+ mpa;?ny the characters in so$\me stretch\@es o@%f /the#ir path(#$—ma=/ny)= years sep;arat^)e ea,@ch o[:f th e e ;pisodes that make up the film, and that] distance#* reveals ,?changes t
hrough what remains.( This)$\ is no+t a film about eart/hquakes, b_*ut ;! about small tr]an# sformations, ]/and the m:#ar/)ks]% 
o
f tim$/e# can be seen ,`not only in th-e,^ actors’ bodies, but also in** t^`hat o=`th: er omnipresent pro#@ta
@*gon#=ist^ that
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i+s Seou l,$] w/hose v^^i\.[tal[$[ity invades\=  *=every sh%ot./(@ L^)ike others b]efor-?`e hi/=m (!.;it’s#-
#in!):evitab+*_le to [ think `; about Truffau):t or; L,inkla]+te%*=r), here, Kim Taeyang r= eminds us that cinema is th^:e bes+=/_t time mac% hine that has been i!@nvented so )_far.